Slumdog Millionaire - Interview by Larry "Lawrence" Jordan
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THE LANGUAGE OF FILM
- Michael Wohl
Three Tools for Tapeless Video Media Backup/Editing
- David A. Saraceno
Log and Capture Workflow
- by Seth Kenlon & Arayna Thomas
Multicam Sync in Final Cut Pro
- by Jon Hiseman
Faking It : Making 4:3 footage work in 16:9 projects
- by Jude Cotter
Flash Cutting with the Blink Filter (Movie)
- by Steve Martin
Using Replace Edit in Final Cut
- by Andrew Balis
The Essentials of Multicam Editing in Final Cut Pro
- by Steve Martin
Do It In The Viewer in Final Cut 5
- by Andrew Balis
Keyframes? We Don't Need No Stinkin' Keyframes!
- by Jude Cotter
Getting the Most Out of Match Frame
- by Andrew Balis
The Browser: The Organizing Brain of FCP
- Kevin 'Telly' Monahan
Keys to Speed - FCP Keyboard Shortcuts - Loren S. Miller
Using the Trim Edit Window in FCP
- Damon Abacherli
Tips for Successful On-lining
- by Larry Jordan
The Versatile Slug in FCP - Practical Tips Using the Slug Generator
- by Andrew Balis
Using The Option Key In FCP 4 - Ultimate Shortcuts
- by Andrew Balis
Targeting and Auto-Select in FCP 4
- by Andrew Balis
Editing with Transitions in Final Cut Pro
- Ken Stone
Cutting To The Beat with FCP
- Kevin 'Telly' Monahan
Trimming With The Range Selection Tool In FCP 4
- by Andrew Balis
Meet the Family: FCP 4's Clip Types
- by Lisa Brenneis
Media Management in Final Cut Pro 4
- by Andrew Balis
A Deeper Look into the FCP Tool Palette - Ralph Fairweather
Getting to Know Split Edits with FCP
- Kevin Monahan
'I said TRIM, dang it!' Media Manager in FCP 4
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by Charles Roberts
Time Remap - Final Cut Pro 4
- by Ken Stone
From Offline To Online - Working With Offline RT In Final Cut Pro
- by Andrew Balis
The Range Check Tool in Final Cut Pro 3
- by Ken Stone
Line your own Nest: Basics of Nesting in Final Cut Pro
- by Charles Roberts
PAL Editing And TV System Conversion in FCP: PAL to NTSC and Back Again
- by Ben Bryant
Laying Off To Tape in Final Cut Pro
- by Ken Stone
Basic Capture Techniques for DV
- Gretta Wing Miller
How to Make that First Cut.
- Gretta Wing Miller
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