New Releases
Tiffen Domke Metro Messenger Camera Bag - Review by Steve DouglasePub LibraryFlashpoint 320 Monolight, 7.2" Air Lightstand & Glow Softbox - by Steve Douglas
Flashpoint 3Pod V3AH Aluminum Tripod with Fluid Head - by Steve Douglas
ProAm's 7" Iris Pro HD LCD Monitor - by Steve Douglas
What's New in Final Cut Pro 10.1.2 - Steve Martin & Mark Spencer
SmartSound Sonicfire Pro for FCP X - Review by Steve Douglas
ProAm USA Orion DVC210 Crane - by Steve Douglas
Flashpoint Tabletop Tripods - by Steve Douglas
CHV Text FX V2.0 - Review by Ken Stone
Shooting with the Blackmagic Cinema Camera - 2K cinema workflow - Rick Young
Bit Budget for Compressor and DVD Studio Pro
Final Cut Pro XDownloadable ePub (iBooks) articles for the iPad, iPhone and iPod Touch.
What's New in Final Cut Pro 10.1.2 - Steve Martin & Mark Spencer NEWFinal Cut Pro GeneralFinal Cut Pro - 10.1- A First Look - Steve Martin & Mark Spencer
Serious Multicam - FCP X - Bill Davis
Exporting a Still Image from Final Cut Pro X - Ken Stone
Final Cut Pro X - 10.0.6 - A first Look - Steve Martin
Merging Events in FCP X - Ken Stone
Video In Text in FCP X - Ken Stone
Final Cut Pro X - Tips and Tricks - Richard Taylor
Retiming in FCP X - Ken Stone
Final Cut Pro X and the Road to Hell (and back again) - Rick Young
FCP X Multicam Basics - Ken Stone
Favorite Titles in Final Cut Pro X - Richard Taylor
Layered Photoshop Files in Final Cut Pro 10.0.3 (Movie) - by Steve Martin
Troubleshooting Final Cut Pro X 10.0.3 - Richard Taylor
Synchronizing Clips in Final Cut Pro X - Richard Taylor
Final Cut Pro X - Targeted Color Correction (Movie) - by Mark Spencer
Final Cut Pro X - Transitions - Ken Stone
Final Cut Pro X - Keywords - Steve Douglas and Ken Stone
Troubleshooting Final Cut Pro X - Richard Taylor
Keyframing in FCP X - Ken Stone
Batch Renaming Clips in FCP X - Rick Young
Share - Export Final Cut Pro X - Ken Stone
Chroma Key Final Cut Pro X - Ken Stone
Match Color Final Cut Pro X - Ken Stone
Dual Track Audio Editing Final Cut Pro X - Rick Young
Basic Media Management Final Cut Pro X - Ken Stone
Managing Your FCP X Events & Projects using Disk Images - Steve Martin
Final Cut Pro X - A first Look - Steve Martin
Final Cut Pro X - Rundown - Richard Taylor
In Search of the NLE or How I Love the Search Tool in FCP 7 - Gerard Tay NEWFinal Cut Pro 7 - Making Graphics Broadcast Legal (Movie) - by Christine Steele for Ripple Training
Up close with the Resolve - Gerard Tay
Final Cut Pro 7- Animating Photos in the Motion Tab (Movie) - by Steve Martin
Exporting WMV from Final Cut Pro - Ng Chee Teng
Snow Leopard Not To Blame Final Cut Studio 3 Slowdown - David A. Saraceno
Controlling the Color Wheels in Final Cut and Apple's Color - Patrick Inhofer
Final Cut Studio 2009 versus Final Cut Studio 2 - David A. Saraceno
Experimenting with 3D in FCP - Eric Cosh
Final Cut Pro 7 - The Tools of Speed - Steve Martin
"Instant" Dailies - Philip Hodgetts
FCP 7 - Labels, Markers and Subclips - Ken Stone
FCP 7 Scopes - Vectorscopes - Ken Stone
What to do with Final Cut Pro XML - Philip Hodgetts
Final Cut Pro 7 - Scopes - Waveform Monitor - Ken Stone
Final Cut Pro 7 - SmoothCam - Ken Stone
Final Cut Pro 7 - Share - MobileMe - Ken Stone
Final Cut Pro 7 - iChat Theater - Ken Stone
Final Cut Pro 7 - Share - Ken Stone
How to install and run Final Cut Studio 3 on a MacBook - Jon Chappell
Burn Blu-ray playable discs on a Mac SuperDrive. - Ken Stone
Final Cut Pro 7 First Look - 10 Things I love about Final Cut Pro 7 by Steve Martin. - Steve Martin
Creating Watermarks in Final Cut Pro - Steve Douglas
Render File Problems in Final Cut Pro - Richard Taylor
Guide to Final Cut Pro Internal Tools - by Jon Chappell
Exporting HDV and XDCAM EX to ProRes 422 with Chapter Markers - by Ken Stone
Am I Rendering And Viewing At The Best Quality With FCP? - by Andrew Balis
Final Cut Pro Tutorial - The SmoothCam Filter (Movie) - by Steve Martin
Exporting Markers from FCP - for use in Compressor and DVD SP - by Ken Stone
DVCPRO HD Aspect Ratio Bug in FCP 6 - by Frederic Lumiere
When to stay in the native codec of the source, and when to convert to something else. - by Philip Hodgetts
Trashing Prefs in FCP 3 - 7 and FCP X - OS X - by Ken Stone
Final Cut Pro 6 - A First Look - by Steve Martin
Setting Up a Project in Final Cut 6 - by Andrew Balis
Final Cut Pro Tutorial - Saving Favorites (Movie) - by Steve Martin
What is XML and what does it mean for Final Cut Studio users? - by Philip Hodgetts
What's New in Final Cut 5.1.2 - by Andrew Balis
MacVideo Magazine For DV FilmMakers and Video Professionals - by Ken Stone
Compression and Chapter Markers - by Ken Stone
Open FCP 5 projects in FCP4.5 (4.0) with XML Export/Import - Nick Meyers
A Guide To Setting Up Your Project In Final Cut 5 - by Andrew Balis
FCP 5 and Soundtrack Pro at LAFCPUG - by Michael Horton
Final Cut Pro 5 - A First Look - by Steve Martin
LiveType, SoundTrack and Compressor Quick Reference Guide - by Darrin Sayewich
The Fundamentals of LiveType - by Steve Martin
Roll Your Own Keyboard Shortcuts - by Larry Jordan
How2 Upgrade to Final Cut Pro 4 - the Right Way! - by Philip Hodgetts
Final Cut Pro 4 - Ripple Report - Sneak Peak - by Steve Martin
Using the Timecode Log Spreadsheet - by Scott Taylor
Capture Cards and Codecs - Marco Solorio
Over/Underexposing Video - By Dan Coplan
Final Cut Pro for Broadcast? Absolutely! - By Andy Field
Why are my FCP Productions Darker on my clients PC's? - By James Diefenderfer and Philip Hodgetts
Porting between Final Cut Pro and Adobe After Effects - Charles Roberts
Which codecs make great video? - by Larry Jordan
Film LookFilm Look for Video Revisited with Joes Filters and Final Cut Pro 4 - By Graeme Webb
Using Magic Bullet and Anamorphic in your DV project - By Steven Galvano
Film look Techniques For Video - By Dan Coplan
Special Film Effects from DV - Using Eureka Plugins - By Steve Sullivan
Making Video Look Like Film Article updated August 5, 2001 - Shawn Bockoven
Aerial Videography for Beginners, Part 2 - by David A. Saraceno NEWAcross the Lines: Editing in the Different NLEs - by Gerard Tay
Aerial Videography for Beginners, Part 1 - by David A. Saraceno
iBooks - A User's Guide - by Ken Stone
Photoshop Elements 9 - by Ken Stone
Freelancing in the New Economy - by Lawrence Jordan
Printopia - by Ken Stone
Final Cut Express and the Middle Child Syndrome - by Steve Martin
Behind the Scenes of Adobe CS5 - by Steve Douglas
Using the Roto Brush Tool - in Adobe After Effects CS5 - by Steve Douglas
Apple Cinema Tools Overview - by Dan Brockett
Signed, Sealed and Delivered - by Steve Douglas
Diving the Deep - Underwater Videography - by Steve Douglas
Encoding Video Optimized for the iPad - by Richard Taylor
An Introduction to Closed Captioning - FCP Workflow - by Dan Dujnic
FCPUG Road Show in Hungary - by Gyula Kazari
iMovie 09 - by Ken Stone
Slumdog Millionaire - Interview by Larry "Lawrence" Jordan
Blu-ray with FCP, Compressor and Encore - by James Fields
Cheating in Final Cut Express: Better Color Correction - by Seth Kenlon
One Man Doco Crew in Uganda - by Matthew Clift
Iditarod: Brutal Conditions, Beautiful Video - by Celia Booher
Preparing for Online Distribution - by Philip Hodgetts
DVD-Rs for Media Back-up in FCP - by Richard Taylor
Create an Alpha Channel - by Johan Polhem
Encoding for YouTube Using Compressor - by Brian Gary
HVX 200 - Bare Bones Firewire Import to FCP - by Ken Stone
The Making of Kenya, the documentary film - by Steven Galvano
How To Shoot a Network TV Pilot With the Panasonic HVX-200 - by Dan Brockett
Shake - Using Shake to Remove the Shakes (Movie) - by Steve Martin
Thumbnail Video Index - By Brian Taylor
Using iWeb to Create Screener Sites (Movie) - by Brian Gary
iWeb - By Ken Stone
WARM CARDS - White Balancing System - Review by Bob Gladden and Steve Douglas
Avid versus Final Cut - 2006 - By Patrick Inhofer
SO YOU WANT TO GET YOUR FEET WET - but not your Camcorder - Steve Douglas
Tips for a Demo Reel that Works - Bill Davis
MACWORLD EXPO AND FCPUG SUPERMEET - 2006 - by Loren S. Miller
The Art of Feature Film Editing - by Tony Salgado
Understanding 16:9 in Final Cut Pro - by Kevin Monahan
Basic Keyframing in Final Cut Express - by Ken Stone
Producing High Quality Underwater Video - By Ian Sutherland
The Changeover Challenge: From Avid to Final Cut Pro 4 - by Loren S. Miller
Faking Transparency in Flash Video -by Elliot Mebane
It's Alive! How to Make Cut-Out Animations in FCP - by Jude Cotter
How to prepare for that first Video Safari -by Bruce Robison & Steve Douglas
Nimble Nimbuses and Swift Sunsets - Creating Time Lapse Video - Ben Bryant
Positioning and Compositioning Tricky Business - Ian Sutherland
Lighting Below the Waves - Ian Sutherland
The Taylors speak on Sharks, Film and DV - An interview edited by Jay Garbose and Charles Roberts
NAB Preview 2005 - by Philip Hodgetts
lafcpug's New Home Or How to Build a Digital Cinema - by Michael Horton and Chris Meyer
Avid versus Final Cut - by Patrick Inhofer
The Changeover Challenge: From Avid to Final Cut Pro - by Loren S. Miller
Underwater Camera Housings - Ian Sutherland
The Curse of Digital Video - Using Filters Barry Braverman
'Too Close for Comfort' - The story behind Subt Lemons zero budget music video - Graeme Webb
A Final Cut Pro user looks at Avid Xpress DV 3.5 - by Ken Stone
Personal Recollections of Charles F. McConathy - by Michael Horton
NAB 2004 - by Philip Hodgetts
The FCP Community loses a piece of its heart - by Michael Horton
Video On The Road Out of Country - By Greg Matty
Zoom H4n Audio recorder and Canon 5D Mark II - By Graham Law NEWFinal Cut Studio - 5.1 Surround Monitoring in Soundtrack Pro (Movie) - by Steve Martin
NEWFinal Cut Studio - Adding SFX & Music to Motion Templates (Movie) - by Mark Spencer
Mixing 5.1 surround sound with Final Cut Studio 2 - By Kasper Skårhøj
Final Cut Studio Tutorial - Time Stretching Music (Movie) - by Steve Martin
Final Cut Pro Audio Filter Guide Part 2 - By Jon Chappell
Final Cut Pro Audio Filter Guide Part 1 - By Jon Chappell
Soundtrack Pro - Recording & Editing Multitake Voice Overs (Movie) - by Steve Martin
Audio In Close Up - Which Lavalier Should I Use? - by Dan Brockett
As I Hear It - Choosing the Right Microphone - by Dan Brockett
Low Cost Shotgun Microphone Comparison - by Dan Brockett
Soundtrack Pro Tutorial - Replace with Ambience (Movie) - by Steve Martin
Final Cut Pro Tutorial - Subframe Audio Editing (Movie) - by Steve Martin
Soundtrack Pro Tutorial - AppleScript Batch Processing (Movie) - by Steve Martin
Soundtrack Pro - Get on the Bus (Movie) - by Steve Martin
Soundtrack Pro - Using Multiple Outputs (Movie) - by Steve Martin
Professional Mini-Disc Recorder Review - Dan Brockett
Working with BWF Audio in FCP - by Clay Coleman
Audio in Final Cut Pro 4.0 - "For The Working Editor" - by Dan Brockett
Create your own AIFF converter using Compressor - By Nick Meyers
Apple Soundtrack - Music To Video Editor's Ears - by Dan Brockett
Location Sound: The Basics and Beyond - by Dan Brockett
Let There Be Music - Getting Started With Soundtrack - by Dan Brockett
Final Cut Pro 4 Audio Essentials - Optimizing Sound For Beginners - by Dan Brockett
Technique: Exporting Using OMF - by Larry Jordan
How to do The Blues, Composing in Soundtrack for non-musicians - by Perry Lawrence
A Beginner's Guide to Final Cut Pro's Audio Filters - Dan Brockett
Digital Audio in Decibels & Final Cut Pro's Audio Peak Detection Tool - Ken Stone
Exporting Audio Only, from FCP to a CD - by Scott Taylor
The Voice Over Tool in FCP 3 - Ken Stone
Working with Audio on the Timeline - Ken Stone
Audio - From Camera to FCP - Ken Stone
Integration between Final Cut Pro and Pro Tools Free - Adam Green
One-Man-Band Audio - Ben Bryant
What's all the fuss about Soundtrack Pro? by Mark Spencer
'Too Close for Comfort' - The story behind Subt Lemons zero budget music video - Graeme Webb
Editing Double-System Sound material - by Phil Ashby
Exporting HDV and XDCAM EX to ProRes 422 with Chapter Markers - by Ken Stone
Capturing HDV Into ProRes Via FireWire - by Andrew Balis
Exporting HDV Video from the Timeline to SD DVD - by Ken Stone
Impressions of the EX1 - by Rick Young
Iditarod: Brutal Conditions, Beautiful Video - by Celia Booher
Outputting Standard Definition in FCP from the Sony XDCam EX1 - by Rick Young
HVX 200 - Bare Bones Firewire Import to FCP - by Ken Stone
Beyond DV with FCP HD - by Graeme Nattress
Mas allá de DV con FCP HD - by Graeme Nattress - Translated by Emilio Blaxqi
Workflow With Panasonic HD And Final Cut Pro HD - by Andrew Balis
Video Levels in Final Cut Pro -by Graeme Nattress
When to stay in the native codec of the source, and when to convert to something else. - by Philip Hodgetts
HDV Editing With FCP HD - by Ned Soltz
Chroma Sampling: An Investigation -by Graeme Nattress
Breaking Free of HDV Limitations (Sometimes editing HDV natively just doesn't "cut" it.) - by Brad Wright
24p in Final Cut Pro HD and the DVX 100 - by Graeme Nattress
Film to Digital Video in Cinema Tools - by Aureliano Sanchez-Arango
Painting Images with the DVX-100 - by Dan Coplan
DVX-100 Gamma Settings - By Dan Coplan
Digital Alliteration: Panasonic, Progressive, Pulldown and "Pretty Darn Cool" - by Charles Roberts
DVD Studio Pro - Compressor - iDVD
DVD Studio ProBurn Blu-ray playable discs on a Mac SuperDrive. - Ken Stone NEW
Chapter Marker Lists for DVD SP - by Tom Stitzer
Setting Up DVD Studio Pro for 16:9 - by Ken Stone
First Play (Auto Play) in DVD SP - by Ken Stone
Taming the Wild Blu, part 2... - by Bruce Nazarian
Taming the Wild Blu, yonder... - by Bruce Nazarian
How to Make a Play All Button in DVD Studio Pro 4 - by Jake Russell
HDV video to SD DVD Using Compressor 3 and DVD SP - by James Fields
Bit Budget for Compressor and DVD Studio Pro
Exporting HDV Video from the Timeline to SD DVD - by Ken Stone
Creating WMV from FCP - Ng Chee Teng
Compressor Tutorial - QuickTime Components (Movie) - by Brian Gary
Motion/DVDSP Tutorial - Creating Alpha Transitions (Movie) - by Steve Martin
Creating Hi-Def DVDs Using 4.7GB Type 5 DVDs - by Rick Young
Exporting to the iPod Using Compressor - by Seth Kenlon
Encoding for Windows Media Using Compressor - Flip4Mac - by Brian Gary
Working with Dual Layer Media - by Brian Gary
Authoring Dual Layer DVDs in DVD Studio Pro (Movie) - by Steve Martin
Creating Stories in DVD Studio Pro (Movie) - by Steve Martin
DVD Studio Pro - Translating FCP titles into DVD subtitles (Movie) - by Steve Martin
Batch Processing Images in DVD SP and iDVD using Tiger's Automator (Movie) - Steve Martin
Image to Disk - by Ken Stone
Creating Subtitles in DVD Studio Pro 4 - by Ken Stone
Stories in DVD Studio Pro - by Ken Stone
Compression and Chapter Markers - by Ken Stone
How To Make Copies of DVDs - by Ken Stone
Setup and Resume Authoring in DVD Studio Pro 3 - by Alex Alexzander
A Solution to Multiple Language Video in DVD Studio Pro - by Graeme Nattress
What's New Inside DVD Studio Pro 3 Part 1 - Transitions - by Alex Alexzander
What's New Inside DVD Studio Pro 3 Part 2 - Alpha Transitions - by Alex Alexzander
What's New Inside DVD Studio Pro 3 Part 3 - The Graphical View - by Alex Alexzander
What's New Inside DVD Studio Pro 3 Part 4 - by Alex Alexzander
DVD SP 3 - New Features - by Ken Stone.
Review DVD ThemePAK for DVD Studio Pro 2 and iDVD 3/4 - Review by Ken Stone
BitShifting & Bit Extraction Creating a playlist function with DVD SP 2 - by Alex Alexzander.
Subtitle Buttons Over Video - Creating an Easter Egg with DVD Studio Pro 2 - by Alex Alexzander
DVD Studio Pro 2 All About Menus - by Alex Alexzander
First Play - a "Bare Bones" DVD - by Jeff Warmouth
Subtitles with DVD Studio Pro 2 - by Alex Alexzander
Advanced Drop Zones with DVD Studio Pro 2 and Photoshop - by Alex Alexzander
Shapes, Drop-Zones, Styles and Templates for DVD Studio Pro 2 - Creating these Assets in Photoshop. - by Alex Alexzander
Extracting video from a DVD - Importing video from a DVD into Final Cut Pro - by Brad Wright
Understanding DVD@CCESS or How to provide a link within DVD Studio Pro 2 to a File - by Alex Alexander
Authoring with DVD Studio Pro 2 - Basic Mode - by Ken Stone
How to Create an "Audio Feedback Menu" in DVD Studio Pro 2 - by Alex Alexander
DVD Studio Pro 2: Late-Breaking News - Apple Document
How to Build a Basic Still Menu for DVD Studio Pro - by Darrin Sayewich
Panasonic DMR-T3040 DVD Video Recorder - Review by Larry Silverberg
How to Build a Basic DVD in DVD Studio - by Darrin Sayewich
Out of Final Cut Pro and into the Fire of DVD Studio Pro 1 - Jeff Warmouth
Introducing DVD Studio Pro 1.5 Bruce Nazarian
DVD Studio Pro DVD "Afterburner" for Final Cut Pro Bruce Nazarian
Installing A SuperDrive in a G4 Step by step Instructions with photos - Vince Hubbell
Compressor - AC3Compressor 4 - Image Sequences (Movie) - by Steve Martin for Ripple Training NEW
Encoding Video Optimized for the iPad - by Richard Taylor
Compressor 3.5 Basics - Ken Stone
Compressor 3.5 - Ken Stone
Burn Blu-ray playable discs on a Mac SuperDrive. - Ken Stone
Using Compressor to Encode HD Content for Vimeo - by Steve Douglas
Compressor - Enabling multiple Cores - by Tom Stitzer
Encoding for YouTube Part 3...HD Strikes Back - by Brian Gary
Converting Frame Rates in Compressor - by Ken Stone
Preprocessing in Compressor and Episode - by Philip Hodgetts
Compressor H.264 movies from FCP for the Web - by Ken Stone
Blu-ray with FCP, Compressor and Encore - by James Fields
Cinema Craft Encoder MP Plug-In for Compressor 3 - by Brian Gary
Exporting Markers from FCP - for use in Compressor and DVD SP - by Ken Stone
YouTube Encoding: Locked & Reloaded - by Brian Gary
Compressors' New Interface in Final Cut Studio 2 - by Ken Stone
Compressor Tutorial - Compression Markers (Movie) - by Brian Gary
Encoding for YouTube Using Compressor - by Brian Gary
Building Custom Presets in Compressor 2 - by Ken Stone
Create your own AIFF converter using Compressor - By Nick Meyers
Using Compressor to encode MPEG-2 - by Jeff Warmouth
Dolby Digital. Sure it can be done. - by André Rousseau
Encoding AC3 Audio with A.Pack - by Jeff Warmouth
iDVDiDVD 7 In iLife 08 - by Ken Stone NEW
Authoring in iDVD 6 - by Ken Stone
Authoring with iDVD 5 - by Ken Stone
Authoring with iDVD 4.0.1 - by Ken Stone
Review - iDVD 3 - Review by Ken Stone
Authoring with iDVD 2 - OS 10.1 - Ken Stone
Extracting video from a DVD - Importing video from a DVD into Final Cut Pro - by Brad Wright
Review DVD ThemePAK for DVD Studio Pro 2 and iDVD 3/4 - Review by Ken Stone
Motion 5: Five Missing Features - Mark Spencer - NEWMotion 5: Top 5 New Features - Mark Spencer - NEW
Motion 4 - Scaling to Reframe a Scene (Movie) - by Mark Spencer
Motion 4 - Using Angle of View (Movie) - by Mark Spencer
Ripple's Designer Motion Templates - Jerry Hofmann
Final Cut Studio - Adding SFX & Music to Motion Templates (Movie) - by Mark Spencer
Motion - Animating Photoshop Layers in Z-Space (Movie) - by Mark Spencer
Ken Burns Redux - Putting Your Photos in Motion (Movie) - by Mark Spencer
Why Your Beautiful Motion Text Looks Bad in Final Cut Pro - Mark Spencer
Reflection Effects - Motion 3 (Movie) - by Mark Spencer
Motion/DVDSP Tutorial - Creating Alpha Transitions (Movie) - by Steve Martin
Using the Sequence Replicator Behavior - By: Mark Spencer
Motion 2 - Replicator and Animating Replicator - By: Ken Stone
How to Create an Alpha Mask Using Motion 2 - By: Steve Douglas
Working with Keyframes in Motion, Part 1 Creating and Manipulating Keyframes - By: Mark Spencer
Motion - Basic Audio Tools - By: Ken Stone
Motion - Using Color Mode - By: Ken Stone
Particles in Motion - By: Steve Martin
Motion - Under the Hood Real Time playback - Firewire Output - Pro Apps Integration - By: Ken Stone
Motion - Text moving in a Circle Real time motion graphics - By: Ken Stone
Motion, Video Cards, RAM, and Processor Speed - By: David Saraceno
Getting Around in Motion - By: Mark Spencer
Motion to NTSC via FireWire: Previewing your Motion projects through FireWire VTR - By: Alex Alexzander.
Motion Compatibility Checker - Technical Specifications for Motion
Getting In and Out of Color - Andrew Balis NEWControlling the Color Wheels in Final Cut and Apple's Color - Patrick Inhofer
Color Workflows With Different Types of Sources - Andrew Balis
Introduction to COLOR - Seth Kenlon
Controlling Apple's Color - EclipseCX Control Surface - Patrick Inhofer
Vignettes in Color - by Ken Stone
Matting and Color Correction in COLOR - by Seth Kenlon
Color Tutorial - Working with Grades (Movie) - by Andrew Balis
Creating Node Trees in Color - FC Studio 2 - by Wendy Gribble
QuickTime - Mac OS - Utilities
Top Ten Most Misunderstood Things About the DVD Format - by Brad Wright NEW
Printopia - by Ken Stone NEW
Digital Rebellion - Ken Stone
Exporting WMV from Final Cut Pro - Ng Chee Teng
Snow Leopard Not To Blame Final Cut Studio 3 Slowdown - David A. Saraceno
Reinstall OS X & Final Cut Studio The Right Way - Part 3 - By David A. Saraceno
Reinstall OS X & Final Cut Studio The Right Way - Part 2 - By David A. Saraceno
Reinstall OS X & Final Cut Studio The Right Way - Part 1 - By David A. Saraceno
Formatting a Hard Drive for the Mac - By Ken Stone
Sony - XD Formats and Drivers - By Ken Stone
App Zapper - App Delete - by Steve Douglas
Taming the Wild Blu, part 2... - by Bruce Nazarian
Taming the Wild Blu, yonder... - by Bruce Nazarian
Preprocessing in Compressor and Episode - by Philip Hodgetts
Compressor H.264 movies from FCP for the Web - by Ken Stone
QuickTime H.264 movies from FCP for the Web - by Ken Stone
QuickTime Timecode Display - by Brian Gary
Formatting & Partitioning a Hard Drive in OS X - Tiger and Leopard - by Ken Stone Updated for Leopard
Burning Data CDs and DVDs - by Ken Stone Updated for Leopard
How To Make Copies of DVDs - by Ken Stone Updated for Leopard
DVD-Rs for Media Back-up in FCP - by Richard Taylor
Video To iPod - by Ken Stone
Image to Disk - by Ken Stone
Trashing Prefs in FCP 3 - 7 and FCP X - OS X - by Ken Stone
Restoring A Corrupt Final Cut Pro Project - Scott Barbour
QuickTime Pro - QuickTime movies from FCP - For the Web. - by Ken Stone
Multisession Burns Using Tiger's Disk Utility -by Ken Stone
Upgrading to Tiger - by Ken Stone
Partitioning a Hard Drive in OS X - Jaguar - By Ken Stone
Final Cut Pro v.4.0 for Mac OS X an ambitious beginning... - by Charles Roberts
Carbon Copy Cloner - OS X - Jaguar - Cloning your boot drive - By Ken Stone
Troubleshooting Your Final Cut Pro System - by Larry Jordan
Care and Feeding of Panther - OS X Drive Maintenance - by Charles Roberts
Target Disk Mode (TDM) Networking with FireWire - Sort of - by Ben Bryant
A Moviemakers Guide to "Wired" QuickTime - Clifford VanMeter
When Good Apps Go Bad - by Larry Jordan
Migrating to the PowerMac G5 and OSX Panther - by Ned Soltz
File Journaling in OSX 10.3 (Panther) Explained - Larry Jordan
Care and Feeding of Jaguar - OS X Drive Maintenance - by Charles Roberts
Final Cut Pro Settings Versions 1.2.5 and older - Ken Stone
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Hardware and Reviews Click Here
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